Wednesday, 2 November 2011

Witnessing the summit of civilization can be quite moving! Mass set to Mozart's Requiem at the Brompton Oratory

Mozart's Requiem - the original manuscript
I was going to write about two of my favourite saints this evening, Martin de Porres and Winifred - both have their respective feasts tomorrow. But I cannot write - well, cannot write anything that requires effort. I am too dumbfounded to think. I need to go to bed. But before I retire for the night, I just want to share something with you.

This evening witnessed one of the most profound moments of my entire life. I beheld, in an immediate and very real way, the height of human civilization. I also tasted the eternal and awe-inspiring nature of our Catholic liturgy, made manifest in that way which makes it the most beautiful thing this side of Heaven. Where had I been, and what had I seen and heard? Well, I had attended the Brompton Oratory's Solemn Mass for All Souls, set to the orchestral version of Mozart's Requiem.

I go to the Oratory often, weekly in fact. Like many others, I am well aware that this church offers a liturgical standard that is rarely, if ever, found anywhere else in the world. I also know that the Oratory's Choir is amongst the best in the land. Of course, along with most men and women, I am familiar, too, with Mozart's Requiem - his religious master-piece, which was finished by Franz Xaver Süssmayr. It has inspired me since my youth. But, the combination of liturgical excellence and one of the finest musical compositions the world has ever heard meant that tonight even the Oratory's surpassed itself.

Until this evening, I had never heard Mozart's Requiem in the setting that it was intended to be performed. It is hard to imagine a better setting than the London Oratory on All Souls' Day! Although I thought that a combination of Catholic liturgy (as it is meant to be) and Mozart's work of pure genius would move me, little did I realise how profound and disturbing this evening's Mass would be. I still cannot speak, and haven't uttered a word for the past three hours! I am, to coin a phrase, utterly lost for words. My heart is groaning with tears of pure and undiluted joy, whilst (like some madman) real tears of love and gratitude have been running down my cheeks all evening.

The Brompton Oratory
Whilst travelling home on the tube, a profound thought struck me: I will never, ever see or hear anything like this again this side of Heaven. I have witnessed the summit of human genius as it reaches through the holy liturgy to touch the face of God. It seems that I have, at last, tasted the highest achievements of civilization, transformed by grace. Needless to say, this realisation is quite frightening - to paraphrase Marcus Aurelius: I, a man of 35 years, can now be said to have experienced all that there is of any worth to be seen or heard in this world.

It is a shame that Masses set to Mozart's Requiem are rare nowadays. Nothing can ever compare to hearing this majestic piece of music in a church, whilst candles flicker in the dark, the pious kneel, wonderful paintings of Christ and the saints surround the congregation, and the people meditate on the Lord truly present on the altar's sacred mountain. No concert hall can compete with that, just as no ad lib 1970s folk Mass can compare with the Holy Sacrifice as it is meant to be celebrated. Is it any wonder, then, that at one point during this evening's Mass, I seemed to see millions of holy souls pouring into Heaven as Jesus Christ was made present? For sure, Heaven was palpably close tonight... and a foretaste of things to come was given to all who had ears to hear and eyes to see.

[Images: 1 A section of a page from the manuscript of W.A. Mozart's Requiem, K 626. (1791), showing Mozart's heading for the first movement; source: Wikimedia Commons. 2 The Brompton Oratory by UserFA2010; published under a creative commons licence; source: Wikimedia Commons]

6 comments:

Genty said...

Oh, how I regret that I am too far away to get to the Oratory (pro tem, I hope). I have wept during the Mozart Requiem there, as have others.

It absolutely tears at the soul. This is where and how it should be sung, not in a secular setting where its core, its entire meaning, is all but obliterated.

I have noticed, too, that non-Catholics who know about the Requiem Mass slip quietly into the back pews.

I was always left speechless at the end of the Requiem Mass, particularly if it was the Mozart setting. It is then, as the congregation leaves in silence that I have wished to stay praying in the church all night rather than exit to face the hurly-burly of the world outside.

Everything you write is what I have experienced and, DV, will do again. Thank you.

A Reluctant Sinner said...

@ Genty

I'm glad I'm not alone!

It really was for me the most profound celebration of the Mass at the Oratory so far. As you say, those who have only heard Mozart's Requiem in a secular setting have never really experienced it properly. I'm sure that many agnostic souls could be converted by happening upon something like that which was celebrated last night.

I hope you get to attend a requiem, preferably Mozart's, at the Oratory some time soon.

justin said...

I was unable to attend Mass yesterday, but found Victoria's Missa Pro Defunctis sung at Westminster Cathedral and Mass celebrated by the Precentor for BBC "Choral Evensong" utterly gorgeous.

The Master of Music slowed the tempo down to a slow, stately, even austere grandeur, and at the Christe eleison in the Kyrie, I just gasped at the sheer beauty. "Crying" music if there ever was one.

Anne said...

My preferred or favourite Requiem is Gabriel Faure. I can never get enough of Faure's enchanting Reqiem, which for me resonates some fragments from the Absolute Truth.

Having said this, both composers Mozart and Faure resemble their symphonies with that of the creation of the world, because they give harmonious form to an amorphous chaos of the senses, the emotions, the thoughts, they separate light from darkness; in other words they impose the radiant order of the spirit on insensitive matter.

A Reluctant Sinner said...

@ justin

Yes, it was beautiful, wasn't it.

I was at the Cathedral for the Solemn Mass on All Saints' Day and noticed that many were moved to tears during mainly thanks to the excellent and powerful music.

Ray from MN said...

St. Agnes parish in St. Paul, Minn., features Mozart's Requiem every All Souls Day with the Twin Cities Catholic Chorale and musicians of the Minnesota Orchestra. St. Agnes was the parish of the new deceased Msgr. Richard Schuler, PhD, the priest who played a huge role in the preservation of the music of the Extraordinary Form of the Mass. http://www.stagnes.net/music.html